I recently wrote a guest post for SFSignal about Storm Bride and the question of “Strong female characters”. Allow me to quote myself:

I think it was because I read one too many cover blurbs for fantasy and urban fantasy novels with female protagonists. There was a depressing regularity: The leading woman will carry a gun, sword, or other weapon on the cover. She will look at the viewer either alluringly or defiantly. Her voice will be snarky. She will be “tough”. If it’s a more traditional fantasy, she’ll declare her disdain for princessy pursuits and traditional femininity. If it’s a contemporary fantasy, that attitude will be written in her torn jeans, tattoos, and the mysterious (but attractive) scar above her eye.

She’ll be, in other words, a Strong Female Character™.

And then I go on for another 700 words.

Head on over here to read it..

Vorkosigan

So this pile of books is pretty much the entire Vorkosigan saga, pieced together from various omnibuses and singletons available at my local bookstore. The only ones missing, I think, are The Vor Game and The Warrior’s Apprentice (the first two starring Miles himself), and I’ll probably just skip those.

But anyway. The purpose of this post is not to let you know what I’m reading, but rather to quote something at you from Bujold’s afterword to Cordelia’s Honor:

All great human deeds both consume and transform their doers. Consider an athlete, or a scientist, or an artist, or an independent business creator. In service of their goals they lay down time and energy and many other choices and pleasures; in return, they become most truly themselves. A false destiny may be spotted by the fact that it consumes without transforming, without giving back the enlarged self. Becoming a parent is one of these basic human transformational deeds. By this act, we change our fundamental relationship with the universe–if nothing else, we lose our place as the pinnacle and end-point of evolution, and become a mere link. The demands of motherhood especially consume the old self, and replace it with something new, often better and wiser, sometimes wearier or disillusioned, or tense and terrified, certainly more self-knowing, but never the same again.

It is not coincidental that Storm Bride (coming out this winter!) contains many of these same themes.